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Selecting a Font to Match your Photo Book Vision

Selecting a Font to Match your Photo Book Vision

Last week was the season premiere of Game of Thrones on HBO. Whenever I heard people talk about the show, I was not that interested in it. Didn’t seem like my type of show. But….last year when my husband and I had watched all of our shows in our queue and looking for something new, we thought we’d give it a try. I wasn’t expecting much. Just a show to have on while I worked in the evening.

Turned out, I got sucked in. While I don’t follow all of the details, I’ve been surprisingly gripped by the storylines and beyond gorgeous scenery. To celebrate the start of Season 6, I wanted to examine how this show, and others on HBO, align the font characteristics in the title to the vision and style of the show.

Let’s look at the following shows:

  1. Game of Thrones
  2. This Week with John Oliver
  3. Veep
  4. Girls
  5. Togetherness
  6. The Jinx

They all have a very different style and way of showing the title at the beginning of the show.

1) The Game of Thrones title appears after the long initial sequence. The font itself is a relatively simple serif font. The “G” and “T” are slightly larger and the “T” is asymmetrical top bar, as the right side extends the entire length of the word. The “O” adds the uniqueness to the font style and gives the font a more historical feel.

2) Last Week Tonight with John Oliver is a perfect example of a clean and modern font. The sans serif, centered font has all of the letters in black against a white background except for his name which is in a muted yet bright red color. To make the title a little more interesting, “Week” is written backwards to express a little bit of attitude and the desire to flip the news stories of the week by telling it from a different perspective – with humor from a Brit.

3) The hilarious show Veep uses a traditional serif font very similar to Times New Roman. The designer used a star instead of the space in the middle of the “P” to provide a nod to the political nature of the show without it being too bombastic.

4) With the show Girls, the title always appears after a couple of scenes in the beginning and then full screen a black background with the title all in caps and displaying a different color every week. I love the typeface of the title. It has a early to mid-century modern feel to it. The fact that it’s all caps, a bold color and takes up most of the screen mimics the show’s ability to unabashedly portray twenty-somethings in New York City as they sort through employment, relationships, and trying to find themselves.

5) The vibe of Togetherness is more understated than a lot of other dramatic shows which is evident by how the title is displayed over a scene. In this particular example, the color of the font is so similar to those in the scene there is complete unity. Here’s another example of a sans serif font but the letters are more rounded than the letters found in “Last Week” or “Girls”.

6) Oh, The Jinx! What a show. As seen in this electrifying still, the title of the show is featured prominently over a scene in the opening sequence. The title design features a common element to make “The” smaller and set in from the main word of the title. Also, the two words appear to have a slight transparency to them. This design tweak adds to the sense of confusion ever present throughout this documentary.

Now, how does this translate to your photo book design? Well, as you probably already know, defining your vision is super important for me and a huge first step in making a photo book. It helps you stay focused in your photo selection and gives you a direction for establishing design parameters for your book. This is also true of the graphics, color and fonts you decide to implement. In this blog post, I’m sharing how to select a font style to match your design vision.

First, you should already have a clearly articulated vision. To help keep you focused, decide on three essential words to define your vision.

Second, find examples on pinterest or in magazines the align your vision. Make sure you pay attention to the particular font style used. You are looking for examples where the font matches the overall feel or vibe of the image/graphic. Ask yourself, why?

  • Is it a traditional or modern typeface? 
  • Is it bold or understated?
  • Does it involve color? 
  • What about the text makes it feel cohesive?

Third, search through your font directory (for example, on apple computers use the Font Book application) and use the arrow keys to find a style that suits your vision.

If none of the font styles seem to fit, try looking at font directory sites like font squirrel or dafont for more ideas. They usually have categories that make it easier to narrow your selection.

Finally, determine if there is a small element or graphic twist you can use in your text. This can either be assigning a color to a specific letter or word in your text, adding a glyph (special character), or inserting your text in an unusual way.

To get you started, I’ve assemble some common photo book design themes and paired a title and body font style to match. Of course, there are many different directions you could go, but hopefully this helps you see how I begin to pair fonts with a particular vision.

 

Get a PDF download with the links to the fonts shown above + find out my go-to favorite serif, sans serif and handwritten fonts: Simply add your name and email here:

And of course, I’d love to hear from you! What three words define your vision for a recent book design and what is the font style you selected? Leave a comment below.

Photo Book Layout Ideas: Zaha Hadid

Photo Book Layout Ideas: Zaha Hadid

It’s been over a week since the announcement of Zaha Hadid’s unexpected death and I wanted to take some time to share how Zaha’s work has inspired me, both as an architect and a designer. In 1997, I visited her first built work, Vitra Fire Station soon after it was built. Then in 2003, while I was living in New York, I made a special trip down to Cincinnati, my hometown (big) city, for the opening of the Cincinnati Art Museum.

As the first female architect to ever win the famed architectural award, Pritzker Architecture Prize as well as the RIBA Gold Medal earlier this year. Since it took 25 years since the inception of Pritzker Prize before a female was awarded, it shows how difficult it is to receive recognition as a female architect. I was always drawn to her visionary, painterly approach. And while there was criticism surrounding her work, she made a significant impact on architecture – in her built and unbuilt work – by creating striking new forms and pushing the boundaries of how we conceive of architecture.

Each art progresses at its own speed, and Hadid accelerated her development by taking architecture to what appeared to be unbuildable extremes in drawing and painting.

Joseph Giovanni on Zaha Hadid’s work in “In the Nature of Deign Materials: The Instruments of Zaha Hadid’s Vision”

Just two weeks ago, I shared one of my favorite books for design inspiration in my recent Intro to Photo Book Design Workshop: Zaha Hadid. This book features Zaha’s work in a compelling way. To mark Zaha Hadid’s legendary impact on creative thought, architecture and design, I wanted to share my insights on this book. While it doesn’t get into her work, the book design is a compelling nod to her work: simple, stark contrast and visionary.

 

As I mentioned in the introduction to this workshop, I’m educated and registered as an architect. So, I have lots of architecture books lying around the house.  As you can imagine, they are heavy on the photographs (and drawings), so their layouts can be easily applied to photo books as well.

I received the Zaha Hadid book as a Christmas gift one year.  It is a compilation of the work (built, drawings, models, etc.) of Zaha Hadid, a female architect based in London.  This is a beautiful book and one I want to feature to you because a) it is a square format and b) it features a black background.  I’m trying to cover all the bases with my photo book inspirations!

A simple cover conveys the form and heavy reliance on the black color throughout the book.  The cover is very indicative of the look and feel of the entire book.  The content of the book is organized into 3 basic parts: a text description of the firm and the project (printed on white paper), projects (black paper) and credits (back to white paper).

A unique feature of this book is that each page is actually a folded-over page, so there are no images on the backside of the paper.  Obviously this is a custom feature, but one I wanted to point out!

I love how the captions are handled in this book.  It may not be appropriate for your family book but it is a sophisticated way to give more information about the photos.  Each photograph is numbered 01, 02, etc., above, and at the bottom of the page is a more detailed explanation of the photo.

The specs:

  • Square Size (9.5″w x 9.5″h)
  • Soft cover
  • 197 pages

The layouts below are inspired by a few of the layouts from this book. Even though this book is 9.5″ x 9.5″, I adjusted the layouts to fit a 12″x12″ square size book.

Want to get jpegs to help you re-create these layouts for your own photo book? I’ve got a great free download for you!

Unlikely Inspiration for Color in your Photo Book

Unlikely Inspiration for Color in your Photo Book

Last week was Dr. Seuss’s birthday and both of my kids had to dress up all week. It involved pajamas, stripes, hats and wockets. One day my son had to wear crazy socks and I realized, he didn’t have much to pick from.

 

While I have some colorful, fun socks, he only has black and white socks. Boring! To remedy the situation, I had him pick out a pair of my socks to wear. (And surprisingly they fit!)
This whole exchange was a strange coincidence because fun socks happen to be the theme of my video tutorial for you. Finding inspiration in the most unlikely places: Socks. Yep, it’s true. I’ve found inspiration in socks (mine….not my sons).
I’ve started to notice how socks have become more of a designed accessory lately; so I decided to channel this influence into my book design.

Want to see exactly how socks transformed my design process? Check out this video:

For a free download of these colors plus two patterns to use in your photo book, sign up below.

My Takeaways from Photojournalism in the Home

My Takeaways from Photojournalism in the Home

Last year, I watched Modern Storytelling with Kirsten Lewis on CreativeLive (affiliate link) and loved seeing the way she captured families everyday life. I was aware of this type of photography but this workshop really opened my eyes to the art of making pictures that were real, humorous, emotional, and true in great light (when you can get it) and beautiful composition.

I purchased this workshop and re-watch it whenever I need to be re-inspired or reminded of how to look for those moments in my everyday life.

When I learned that she was going to be back on CreativeLive, this time teaching a workshop Photojournalism in the Home (affiliate link), I couldn’t wait. A lot of the content in this workshop builds on the lessons she taught in the first workshop. And while I really only able to watch some of the the first day, I’m catching the free replay while it’s on today.

My takeaways from Photojournalism in the Home are:

  • To stay with a moment, an activity, a composition a lot longer than you think. Be patient. And take a lot of photos to get what you want. As Kirsten says, shoot past the moment. Even when you think you have a good shot, keep shooting.
  • Don’t adjust the scene or prompt your subject. Again, be patient. Document the moment exactly as it is and make subtle movements in where you (as the photographer) are positioned instead of moving a sippy cup out of the way. Wait for action or moment you want without having to ask for it.
  • Shoot with the crop in mind. Always square up and get as close (or far) as you need to get the crop you want while shooting. Minimal cropping can occur in post processing but her advice for photojournalism in the home is to capture the moment as you see it, crop included.

All three of those are something that I need to work on. I’ll often pick up things that I don’t want in the frame or ask my kids to repeat what they just did because I missed the shot. And I love to crop in Lightroom.

Here’s the thing. These tips are not ‘general’ photography tips. They are for shooting your everyday life as a photojournalist. That may not be what you want. I’m attracted to Kirsten’s style of shooting and her lessons because it’s about capturing life as it is….hopefully with a few photographic principles in mind.

I’m no where near her skill level but I love the challenge! As a professional photographer, the skill to define the moment is an extremely difficult task to achieve. Seeing how to bring light, color, composition, layers, and depth of meaning to a moment is an art. But for me and my desire to photography my family, it can actually be quite freeing to let go the idea of perfecting an environment and focus on capturing the moment as best as I possibly can.

After the first day of her live workshop, I decided to attempt to take photos inspired by her lessons. Our photography theme in my mastermind this month is technology. I shot these photos with this intention – capture technology, stay with the moment, no prompting, and do my best to crop in camera (still working on this one ;)).

Not perfect but a fun attempt!

With this last photo, if you watched Kirsten shooting in a family’s home, she mentioned how difficult it was to photograph kids while watching TV because they have zombie face. So this last photo, it was my attempt to capture zombie face. Ha! Of course, I didn’t capture even a corner of the TV/computer but because you know I’m shooting for technology, it’s implied. This photo probably wouldn’t make sense on it’s own….but it’s another example of how I can compose and define context when I include it in a photo book layout.

This post contains affiliate links. I could receive a commission for any CreativeLive purchases you make after clicking on my link. I only provide affiliate links for products that I highly recommend. 

BookSmart vs BookWright. Which program should you use?

BookSmart vs BookWright. Which program should you use?

One of the reasons I love using Blurb for photo books, is the variety of ways to make a photo book. You can make a book entirely online with Bookify. You can use the Book Module within Lightroom so you’re using only 1 program to organize, edit, and print your photos. You can use their downloadable free programs, BookSmart or BookWright. Finally, you can even use a plug-in for Adobe In-Design to create stunning custom layouts and print with Blurb.

As Barry Schwartz writes in the Paradox of Choice, sometimes having more choices makes it difficult to actually choose any. And that’s how I feel when it comes to which free downloadable Blurb software you should use for your next book. I’ve put off giving you my thoughts on BookSmart or BookWright for a while – partly because I’m mixed.

Being completely honest and transparent here, there are some advantages with their new program BookWright that I love. But they didn’t put everything that I love from BookSmart into their new program. So when it comes to giving a recommendation….I have a hard time telling you to use one versus the other.

But I know this can be a big sticking point for some so I’m going to provide a few considerations to help you make your decision. If you want to go even deeper and learn how to use BookSmart or BookWright for your next photo book, I hope you’ll sign up for my Intro to Photo Book Design Workshop. I cover both programs in more depth  (with screenshots and videos) so you can make the best decision for your book and know exactly how to use the programs.

Custom Layouts

While you can’t create custom layouts in Bookify or the Lightroom Book Module, Blurb’s free downloadable programs offer the ability to design custom layouts to fit your photos. Within BookWright, it’s extremely easy to add the photo and text boxes you want on the page and save it to your library. While it can be done in BookSmart, it’s a little more cumbersome and takes extra time. You have to utilize a separate work space to customize your layouts. Essentially, it adds another layer or process, distancing you from the actual context of your book.

Advantage: BookWright

Text Styles

If you want to use text for your photo book – even as page numbers – it’s easier to set up the characteristics of each type of text you want to use (headings, captions, and page numbers) in order to have consistency throughout your book. This is not as easy in BookWright. Each type of text you’ll want to include will require separate formatting….or copying and pasting each time.

Advantage: BookSmart

Alignment

One of the best ways to make your book look more professional is to align your photos. It’s even better if you can align them between the left and right page. In BookSmart, you have to use a grid on each page to align the photos. BookWright makes alignment extremely easy and intuitive with guides showing you when you align your photo boxes.

Advantage: BookWright Want to see how these two programs look?

In the end, even though BookWright is very easy to use….I still think I prefer BookSmart when it comes to Blurb’s free software programs. It gives me the level of control I prefer when I’m designing photo books. I’d love to hear from you! Do you have experience with both programs? Which one is your favorite program?
The Biggest Mistake you’re Making with your Photo Book

The Biggest Mistake you’re Making with your Photo Book

All too often, I hear people who want to make a photo book. They know it’s important to print their photos and set a goal to make this year – the year – they actually make one. Yet, most people don’t follow through.

Why?

Their goal isn’t stated in a way to set them up for success. It’s not specific or action-oriented. Instead it’s a generic, bland statement without any steps. If you want to make a photo book this year, my recommendation is to define a SMART goal. In a recent post, I explained the core principles but if you want to hear how I reverse engineer my goal into action steps watch this video:

I share the full video, including my specific design vision, in my mastermind program.

Set Your Photo Book Goals in this FREE Workshop.

Photo Book SMART Goals

Photo Book SMART Goals

Ah, January. The time for making resolutions and setting goals.

I have to admit, I get a little caught up in the beginning of the year / time to start fresh season. And if I’m being honest, I have the same feeling in August during the Back-to-School rush! What can I say, I’m planner at heart. It’s one of my favorite things to do.

Of course, I’m setting the typical goals. I started working out more in 2015 and would like to be more consistent in 2016. This sounds almost silly to type, but I also want to drink more water throughout the day. Sometimes I get so caught up with work that I forget to drink the recommended 64 ounces.

I’m also hoping to do more crafts with my kids. Throughout December, I participated in my first ever 25 Days of Christmas. We spent a lot of those days working on crafts and food-related activities. I realized how little I do this with my kids throughout the year….and how much fun they had doing them. Obviously, this is not something I’m going to do every day; but I do hope to have a craft or recipe to bake every weekend.

After I finish my In 100 Pages Photo Book, I use the collection of my photos to figure out how to define my photography goals for the upcoming year. As I looked through the photos contained in my book, I realized how few storytelling photos I have. In a lot of ways, the photos tell more about where we go instead of what happens around the house. I want to take more photos that include environmental clues about our home, the interaction, what my kids play with. I love taking portraits. It’s something that I know I’ll continue to take. So I set my goal to attempt to capture more conversations and tell our story within the frame.

As for my photo book goals….I’m somewhat embarrassed to admit….but I’m a little behind on my annual photo books. I’ve made plenty of personal books (and books for my clients). But I miss my in-depth annual photo books. Similar to my photography goal, I want to make a photo book that includes more text and photos than a lot of my other books.

 

My goal for 2016 is to finish my 2015 photo book and stay on top of my 2016 photo book.

To help me stay accountable, I’m hosting a 2016 Mastermind.

I’ll share my progress in a private facebook group and interact with others who are also setting the intention to print more of their photos in 2016. One of our first exercises is to make a SMART goal. Now, I’m sure this is something that you’ve heard of. It’s a common concept for a reason – it helps you set a goal that you can actually achieve. Now there are a couple of variations but for this post, I’m assuming SMART stands for: Specific, Measurable, Attainable, Relevant, Timely.

To show you how this works for my photo book goal, notice what I said above – “I want to finish my 2015 photo book and stay on top of my 2016 photo book.”

Not exactly a SMART goal.

Let me re-work it a little.

Specific. I want to make a 240 page photo book with approximately 1,200 photos from 2015.

Measurable. I want to start working on this book in February and finish by the end of July (6 months). This means I need to complete 2 months of pages, every month, for 6 months.

Attainable. This is achievable and something I’ve accomplished in the past.

Relevant. It’s extremely relevant because 2015 just ended and is still somewhat fresh in my mind. It’s also something that is really important to me.

I value printing my photos and sharing with my kids, family and my future self. 😉 Timely. Yes, I’ve given myself a time limit to work toward and track my progress. I want my 2015 photo book completed by the end of July. All of these define a much more specific goal:

To complete my 240-page photo book with 1,200 photos from 2015 by the end of July (finishing two months of pages, every month, for 6 months) while the activities, conversations, and moments are still fresh in my mind.

Now that I’ve stated my goal in this manner, I already have a game plan and a better shot at achieving it. Over the next few weeks, I’m going to be working with my mastermind participants to further refine their photo + printing goals to make sure they meet the SMART criteria.

Setting Photography and Photo Book Goals for 2016

Setting Photography and Photo Book Goals for 2016

Happy New Year!!!

I hope you had an amazing 2015 and are looking forward to the new year.

As I’m sure you’ve read in SO many blog posts, now is the time to set goals and intentions for the new year. It’s something that I mention in my In One Hundred Pages workshop. One of the benefits of making an annual book is to see what you accomplished in the previous year in order to set goals for the upcoming year.

But even if you didn’t make a 2015, you can still gather up your absolute favorite photos of the year. Then make an assessment about what you shot and what was missing from your documentation. Use this as a guide to set what you would like to accomplish in 2016.

Here are my 15 favorite photos from 2015:

Besides my 2015 In One Hundred Pages photo book, I also make an End of Year Video capturing our snapshots and videos from the year. Check out my 2015 Video:

After reviewing these images, my video and my 2015 photo book, I want to take more everyday photos that tell a story through the composition and content. My go-to photos are portraits (of one kind or another) – which I obviously love – but I want to branch out and take more photos that document our everyday more beautifully.

So I’ve set my goal! What’s your 2016 goal? State your goal in the comments below.

Two friends with one goal: PRINT OUR PHOTOS!

Two friends with one goal: PRINT OUR PHOTOS!

We started 2015 adding one goal to our long list of photography related projects: printing our images. We had either printed books or loose prints sporadically before but we wanted to commit to one print project per month and getting in the habit of printing our images.

Pros: How we motivated each other with making the books

  • Discussing ideas for books
  • Finding clarity to fine tune vision for book***
  • Pushing each other to set a goal for the month
  • Updating each other on progress throughout the month to keep each other motivated
***For me (Jackie), this has been the most beneficial because having the vision makes creating the book easy.  It is much faster to get it done when you have clear goal with specifics.  In the past getting stuck on this step is what held up my progress on a book or even starting one.

How:  What we found successful

  • Keeping the rules loose – minimum one print goal per month
  • Printing goal could be anything from printing loose images, vacation books, project 365, project 52, mother’s day books, gift books,
  • Checking in at the beginning of the month to decide on personal print goal
  • Sharing our progress during the month
  • Sharing finished product
  • Working through challenges, bouncing off ideas
  • Readjusting or refocusing when we got stuck
  • Talking out loud: Why am I making this book? Who is the audience? What is the objective?

We motivated each other by being present, listening, ideating together. Also by being open regarding the print goals, not every month was a book, some were prints or smaller IG books. Knowing that the other person was working on their print goal also served as motivation to choose a monthly goal and work towards it.

For me (Daniela) the individual prints were done for those images that had a specific use in mind, whether it is a wall gallery, a frame or an album. Also images that were made on film, I printed those for a gift for my dad and some to frame for my office. The books I did were for projects that cover an event, like a vacation, or a project like P52 or Top 10 images per month.

After watching many of Stacey’s free tutorials, we understood that having a clear vision was very important to achieving our print goals.  By discussing our vision together we helped each other find clarity and move forward on our book project.  The simple act of putting our monthly goal in writing and sharing it served as a commitment to getting it done.

For me (Jackie) questions like why am I making this book, who is the intended audience, will I included both digital and film scans in the book, what aesthetic do I want for the book would come up and having someone to work through them was instrumental in getting it done.   Some months I found myself paralyzed with indecision and after talking with Daniela, I was able to move on. The biggest advantage besides having a friend and sounding board to share ideas and questions, was having an open mind regarding prints, the goal was to have a physical proof of an otherwise digital only image. Being opened allowed us to explore a variety of ways to accomplish our print goals: books (Blurb, Artifact Uprising and Adorama Pix), loose prints (Mpix and local Lab), and  IG books (Chatbooks and Artifact Uprising).

What we have accomplished between January -July 2015:

  • Project 52 Book
  • Macro prints for office
  • 1st Half of a Project 365
  • Prints for home
  • Mother’s Day Books
  • Top 10 images per month of 2014 book
  • Prints from Film images for Father’s Day
  • Chatbooks as a Thank you, Instagram series of summer vacation, Instagram subscription
  • Travel books of family summer vacation and weekend trips
  • Grandmother and grandchild books
  • Prints for husband’s office

We plan to continue this Project during the rest of 2015 and most likely beyond. Printing our images has brought great satisfaction and joy, not only to us but also to our families. It is a great feeling to see your images in a book or on the wall.

This blog post was graciously written by two great friends, Jackie and Daniela.

Jackie is a hobbyist photographer and like most of us my passion lies in documenting my family.  I am a South Florida native, mom of two – a high school freshman and college senior (yikes).  Check out her website and be sure to follow her on instagram: @jackiecuervo

Looking for accountability? Join my 2016 Mastermind!

Creative Layout Idea for Back-to-School Photos

Creative Layout Idea for Back-to-School Photos

It’s Back-To-School Time!!!!!

Of course, you’re well aware if you have a kid starting school….or have opened up your facebook feed lately.

My oldest started first grade last week. And since I’ve already given advice to moms with their oldest heading off to kindergarten, I thought I’d share how moms with kids of any age can turn those back-to-school photos into a really fun layout for their annual photo book.

When the most recent issue of Martha Stewart Magazine landed in my mailbox, I noticed a really fun “Good Thing”. The magazine featured clip art of familiar and retro back to school items, like paper clips, erasers, and pins. They recommended downloading their free graphic to use them for school book covers.

Since my mind is always thinking about photo books….I wondered how it would look to use these in my personal photo book alongside my son’s obligatory Back-to-School photo.

To be honest, these photos are never my favorite. They always feel forced and my son always has really, really puffy eyes in the morning. I liked the idea of using a graphic to liven up the page and make this milestone event a little more fun in its presentation.

Instructions:

If you like my layout examples below, follow my simple instructions to add a little extra somethin’ to your photo book!

1| First, buy a copy of Martha Stewart Living and turn to page 27 for the free download link.

I highly recommend this magazine, not only for the great advice and the free downloadable items they provide each month….but it’s also beautifully laid out and a source of design inspiration. If you don’t already have a subscription, pick up a copy during your next grocery store trip.

2| Go to the website to access the free downloadable graphics.

3| Once you’ve downloaded the graphic, determine which one you would like to use. Open up that particular PDF page in photoshop. Use the rectangle tool to select the area you want to include.

A simple {open apple} +C, {open apple} +N, and {open apple} +V is all it takes to copy and paste into a new file.

4| Save the file as a jpeg into the folder where you keep all of your annual photo book photos. If you don’t have one yet….create one now. You may find other items you want to include in your book that are not from your camera.

 

5| Finally, insert this photo into your photo book as you would any other photo. Add your kids’ back-to-school photo plus any title or text you want to include and you’re finished!

 

Here are my examples:

Enjoy!